This paper makes a brief analysis of the differences in Zhou brother's tea culture. From which we can see that the two views of tea culture and their personality trends, world view, outlook on life, aesthetics have a close connection. Lu Xun upheld respecting the people’s world view, while Zhou Zuo-ren could not view the world from a macro perspective because he paid too much attention to egoism and liberal worldview. Lu Xun payed more attention to the daily tea, Zhou Zuo-ren payed so much attention to the art of tea. Just as literature cannot exist independently from history and society, tea culture cannot be separated from human society.
In the twenties and thirties of the twentieth century, China was facing a crisis of life and death. The essence of elegant beauty, noble beauty is actually irresponsible paralysis, but the essence of simple beauty is the "last struggle" and "fighting." Separating from the immediate reality of the society and blindly pursue elegant beauty is tantamount to nonsense.
Before death, Lu Xun has also been putting Zhou Zuo-ren's work on the pillow in order to read at any time. Zhou Zuo-ren also wrote some books of Lu Xun in his later years. Today, such as the parallel line of alienated two brothers, the inner world of their later years has become the topic of life and literature.