This work seeIn the 19 ceThis study aims to survey the creation process of female figure as a whole by linking features of female association depending on Shen cong wen's creation period with the characteristics of female figures of each time. Female figures at the first creation period are, in many cases, just passive subjects looked into the eyes of the male writer. This is largely because of a woman named Ma, Yao Mei, and Ding ling, who were those Shen associated when he first started writing literatures. They were women who hided their true colors of wicked women under the veil of positive image of girl and seem to have a huge impact on the creation of female figures by Shen at the initial stage of his literature creation process. At the second period, female figures in his literatures are varied and colorful. There are novels in which a woman is a main character and stories, in many cases, are delivered from a point of view of a woman. Ding ling and Zhang zhao he associating with Shen at that time had a great impact on this. Literatures by Shen in this period were a dedication for the love and friendship with friends and lovers. Female figures at the third period have contradictory characteristics; sometimes it is too ordinary and plain, and others it is too abstract and difficult. This is related to the fact that the association with women did not directly motivate his creation at that time due to the reality called marriage and a special circumstance: war. But, in this period, he was absorbed in creation to capture the lively motion and beauty of life that he had constantly envisioned. In conclusion, by investigating the relationship between his association with women and female figures, the author has been able to identify the meaning of coincidence and women when it comes to creation, as the way he had expressed. His creative tendency was determined according to the nature of women he was in association with each time and the female figures did not stray from the shadows of women he was in association with. This feature on the creation of literatures by Shen suggests that his literary world and female figures are to be interpreted and studied in various ways in the fields such as eco-feminism and gender psychology.ntury, the Western naval powers including England overwhelmingly rushed to China since their earlier aggression to India and the other parts of Asia. The English merchants armed with naval forces illicitly sold opium to China to regain its trade balance from the Chinese market. Consequently, China rapidly went to be drawn into the world economic system which was leaded by England and this unstable shift of China caused the collapse of the Qing dynasty at last. Then Wei Yuan, the patriotic intellectual of the late Qing, believed that the reason of the invasion of the Western powers is due to their needs of trade with China and then developed his idea of the benefits from the trade between China and the West could be shared in the mutually beneficial and equal international trade. However, Wei Yuan felt that his belief would be realized only in the condition of China's possession of unbending force to that of the West. Therefore, He developed his idea of China would need to equip with strong defense abilities, well trained armed forces and armaments to protect itself from the West and he also came to realize the necessity of learning from the West which would be able to do so only after getting over from China's superior understanding to the West. This is the idea of the 'Yi-xia concept(夷夏論 the concept of differentiation of Non-Han and Han Chinese)' which had sprouted from 'the studies on Jingshi(經世學 the studies on practical aims of political and social guidance)' and later the Yi-xia developed into his philosophical thoughts. Wei Yuan insisted that China should learn from the West but maintaining its sense of being superior to it. These thoughts became Wei Yuan's motivation of writing the book, 'Haiguotuzhi(海國圖志 Illustrated Treatise of Maritime Nations)', in which he insisted to learn from the West so as to protect China from outer threats. From the understanding of Wei Yuan's patriotism to China with his idea of 'Yi-xia concept' and his academic tendency of the New Text school(今文經學派), we can find the early concept of nowadays Chinese dream connected with the idea of the modernization movement of China.ks to examine visible traces of Heavenly Horse天馬 through Li Gonglin’s Five Horses｢五馬圖｣. The conclusions are summarized as follows: First, Li Gonglin’s Five Horses is a painting that consists of more than one painting of a horse. Accordingly, Five Horses is not an official work of Li Gonglin. Second, Heavenly Horse of Song Dynasties was a swift horse born in the Western Region西域 and was a term used to refer especially to the one that the emperors rode. The horses of Five Horses were tributes from foreign countries to the emperors, which were raised in the imperial palace. Therefore, Li Gonglin’s Five Horses shows the appearance of Heavenly Horses of Song Dynasties as they were. Third, Li Gonglin’s paintings made a stylistic standard, so the appearance of Heavenly Horses had no special features. Consequently, it is not false that the horses in Li Gonglin’s Five Horses are illustrations of traditional Heavenly Horse.